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Roll Them Bones

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In Random, Illinois, not much has changed in the last century. Things there move more slowly than they do in the city. At times, history seems to be moving in reverse. That's how it seems; some folks would say that's how it is.

For Jason, Frank, Ronnie and Lizzy, there are bits and pieces of the past that won't go away. Not in the daylight world, and not in their dreams. They shared a secret, a bond of silence and guilt. They shared the memory of an old woman's dry, crackling voice, the heat and sizzling terror of flames beyond their control, and the mesmerizing image of a handful of bones.

Roll Them Bones is a story of closure. It is a twisting, twining mystery that refuses to make sense, bringing four children who'd grown apart in adulthood back for one last chapter. Halloween Past—Halloween present—and who's to say which is more real?

Her eyes Haunt them.

Her voice follows them through their nightmares.

The flames lick up from below with the slow promise of destruction.

"For an evil heart, no deed atones, to know the future? Roll them bones..."

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    • Publisher's Weekly

      September 1, 2003
      Cemetery Dance (www.cemeterydance.com) rolls out two new books in its horror novella series: David Niall Wilson's Roll Them Bones, in which four adult friends return to a Midwest town to face the consequences of a childhood Halloween misadventure and Rick Hautala's Cold River, in which a widower, recently bereft, must deal with his grief and something creepy that emerges from a Maine river ($30 124p -073-9). The same publisher also offers Douglas Clegg's The Necromancer: Being the Diary of Justin Gravesend on the Year of His Rebirth, and His Forced Initiation into the Chymera Magick, Including His Early Visionaries. This peculiar document expands on the mythos behind Clegg's three Harrow novels, Mischief, The Infinite and Nightmare House.

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  • English

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